الفنانة الجزائرية سعاد ماسي

ابداع فني ينطلق بسرعة البرق في سماء العالم

سعاد ماسي

تلك الماسه الجزائريه

التي تكتب و تلحن و توزع و تغني اغانيها

بصوت ملائكي عذب

اعادنا الى زمن فيروز

تلك الموهبه الفنيه التي قلما ان تتكرر

و التي تختار كلمات اغانيها بعناية فائقه لتتحدث عن الحب بمعناه الجميل

و الغربه بمعناها المؤلم

سعاد ماسي

ابداع عربي نادر

و جمهور عالمي يعشق و يقدر الفن الاصيل و الجميل

سعاد ماسي من مواليد الجزائر عام 1972، أمضت طفولتها في تعلم الموسيقى بصحبة جيتارها، درست

الموسيقي العربية – الأندلسية الكلاسيكية، ودرست الهندسة، وأثناء دراستها
وفي سن السابعة عشر بدأت في المشاركة في فريق للفلامنكو الأسباني في أولي
تجاربها على المسرح، ولكنها لم تحس نجاحها فيه، فكانت إحدى مؤسسي فريق

(Atakor)

لموسيقي الروك، الذي جاب البلاد لسبع سنوات كاملة، مسجلين خلالهما شريطين سمعيين وأغنيتين مصورتين.

ولكن يبدو أن نجاح الفرقة وأغانيهم التي تمس هموم وطنهم، قد استفزت
الجماعات المتطرفة التي كانت تنتشر بالجزائر في ذلك الوقت، فلاحقوهم
بالتهديدات وأحست سعاد ماسي بخيبة الأمل والإحباط، ولكن تبدد كل شيء بمجرد
دعوتها إلى باريس عام 1999 من مسرح فرنسي كان ينظم يوما للمرأة الجزائرية،
وحققت سعاد نجاحا رهيبا بالمهرجان.

هذا الأمر دفع إحدى شركات الإنتاج إلى التعاقد معها بعد ثلاثة أيام فقط من
وصولها، لإنتاج ألبومها الأول "راوي" الذي صدر عام 2001، والذي حقق نجاحا
ملحوظا مقدما لونا جديدا للموسيقي الجزائرية مختلفا عن موسيقي الراي
الشهيرة، وتأكيدا لنجاحها أصدرت سعاد ألبومها الثاني "ديب" عام 2003،
وأعقبه ألبومها الأخير "مسك الليل" الذي صدر عام 2005.

كانت سعاد قد انتقلت للعيش بباريس عقب ألبومها الأول وأحييت العديد من
الحفلات في باريس ولندن وروما و80 مدينة مختلفة عبر العالم، و تكلل نجاحها
بالحصول علي جائزة "أفضل فنانة لعام 2006"

" awards for world music 2006"

من راديو هيئة الإذاعة البريطانية

(BBC)

والتي كانت قد رشحت لها من قبل عامي 2004، 2005، كما حصلت سعاد ماسي أيضا على (جائزة انتصارات الموسيقى 2006

(VICTOIRE DE LA MUSIQUE 2006 )

الفرنسية.

سعاد لم تنس هويتها وبلدها، فنشأتها في جو من الحروب والمعارك اليومية
جعلها تتمسك بهويتها الإسلامية والعربية والجزائرية فنادت في أغانيها
للسلام والبعد عن العنف، ولعل أغنيتها (بلادي) تظهر هذا، كما تظهر أغنيتها
(دار جدي)، التي كتبت كلماتها بنفسها لتعبر عن تجربتها الشخصية، شعورها
بالغربة عن وطنها والحنين إليه، كما تعبر أغنية (ما ننسى أصلي) عن نفس
المعني.

سعاد حققت حلمها أخيرا بالعودة إلي وطنها منذ عدة أشهر، حيث أحيت حفلا
بقاعة ابن خلدون بالعاصمة الجزائرية، وتنوي سعاد العودة للإقامة بالجزائر،
ومواصلة جولاتها عبر العالم.

قالوا عنها في اوروبا

She is a leading light among the young Algerian artists. She sings the
Arabic ******** with a sweet and pure voice. Her songs are of folk rock
rhythms (besides she is often compared to Joan Baez or Tracy Chapman).
Her activism, popularity and courage brought her into the limelight.
Souad Massi, 28, is basically free and generous. She has a golden voice
and a sparkling talent. She creates a delicate and harmonious Algerian
folk rock with activist and sensitive lyrics. Souad comes from a family
of performers.
She was born in Alger on August 23, 1972. Her elder brother is a
composer, her younger brother does new jack music and her little sister
is a dancer…As for her, she always knew she would become a singer. She
studied Arabo-Andalousian classical music, music theory and universal
classical music.
When she was 17, she performed on many stages with her only guitar. But
at the same time, she was in a flamenco band "Les Trianas d’Alger". It
was a real flop. After this defeat she went to pieces and decided to
give up. Fortunately, her younger brother pushed her into going on.
With her band "Atakor" Souad Massi travelled through Algeria. Their
rock music (close to hard rock music) echoed in the whole country. But
things became more and more difficult for Souad. Further to many
political pressure, the cabinet of town and country planning she worked
in (Souad has an engineer degree) decided to dismiss her. Then she has
been through a difficult period, financially as well as
psychologically. And while the young singer was just about to give up,
she was offered to join in the “Femmes d’Algérie / Women from Algeria”
Festival. This show which was initiated by Allalou (a former radio and
television reporter) and the “Bled-Connection” association, set up in
Paris at the Cabaret Sauvage.
On January 10, 1999, Souad arrived in France. There was a great
atmosphere in the Cabaret Sauvage where all these Algerian musical
women got together. Never mind the age or their regional roots, they
were all united in their daily fight for Freedom. The show mixed
together the feast (it was Ramadan) and the battle against
fundamentalists. Paris audiences saw Souad Massi. They were astounded
by her performance and deeply moved by her voice as well as her
fantastic capacity to pass on feelings beyond the ******** barriers.
Souad Massi signed a contract with the record label Island-Mercury. In
order to keep Souad’s music and poetic world, Bob Coke (who previously
worked with Ben Harper) is asked to carry out the artistic production.
To preserve both Souad’s energy and emotion, Bob Coke decided to make a
genuine live album. Thus he just managed to snatch the recording of the
last song “Matebkiche” which was then kept unprocessed. Electric and
acoustic instruments were skilfully measured out. And altogether they
made a true box where strong melodies and more especially Souad’s pure
and moving voice could open out. Her music atmospheres which wavered
between rock and traditional music, mixed together electric and
flamenco guitars, Arabic lute, battery, gumbri (Saharan acoustic bass),
karkabous (Saharan ****l castanets)… Each song was particular and
reminded us of Joan Baez’ and Tracy Chapman’s rebellious and melodious
worlds.
The achievement of all these efforts was a magnificent album, where
many different music styles (folk, chaâbi, rock) came closer. Moreover
it reflected all her talents and gave the opportunity to travel through
her songs in a comprehensive way. Souad used to put the finishing
touches to her songs when she was on tour. Indeed while she was
recording her album, she had one concert after another. She increased
performances, especially famous opening shows : Orchestre National de
Barbès, Thierry Titi Robin, Geoffrey Oreyma…and above all Idir. Indeed
the latest offered her the opportunity to open his concert at the
Olympia on December 13, 1999 (less than a year after she arrived in
France). She has also been performing on Saez’ tour for some months.
Thus she could meet a new rock audience who was immediately seduced by
this young activist singer.
But though she now lives in Paris, she does not forget her native
country. Algeria is always in the heart of both her music and life. And
she carries on fighting even over the Mediterranean sea. Even if her
family is still there she wants to take advantage of the freedom of
expression she is given in Europe to say aloud what she has been
singing for many years. She explains with accuracy and consciousness
what happens in Algeria everyday and keeps on denouncing the oppressors
without being boastful nor activist. “Remain silent would mean that
terrorists have won and that all the intellectuals they murdered, died
for nothing.” And she says that in a tone of evidence as if she were
used to it ا

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